Abigail Harper Printmaking & Art
Charcoal drawing of the dead grasses and rocks in the Sierra foothills. 19 × 26 inches
SOLD
A copper plate etching of a burnt tree in the Hidden Valley behind Reno. Printed on Hannemuhle 250 gsm paper. 10 × 15.5 inches.
Edition of 10
Oil on canvas of Canadian Geese in the snow of the Reno Arboretum. 12 × 12 inches
Oil on canvas. 10 × 10 inches
SOLD
Charcoal drawing of the Mendocino coastline. I return again and again to the beauty and stillness of this area. 19 × 26 inches
Charcoal drawing of one of the many wind gnarled cypresses in Mendocino. SOLD
Charcoal drawing of Anchor Bay and the flotsam and jetsam washed upon the shore. SOLD.
A hidden bay near Gualala, Northern California. Oil on canvas. SOLD
Monotype with oil print on Japanese Awagami paper. This work is currently on display at the Nevada State Legislature in Carson City.
Monotype with watercolour. This work is currently on display at the Nevada State Legislature in Carson City.
Monotype with oil paint. This work is currently on display at the Nevada State Legislature in Carson City.
A monotype with oil painting. This work is currently on display at the Nevada State Legislature in Carson City.
In 2018, Cape Town emerged from a devastating drought and a water crisis that almost shut down the city. 2017 was one of the driest years on record in the Western Cape and many areas were ravaged by wildfires. This series is based on the aftermath of a fire in the Glencairn area. The lush hills were reduced to a bare moonscape and slow moving animals like tortoises perished in the hundreds. What will happen to our world if climate change and extreme weather events continue unabated?
Drypoint etching with intaglio ink and oil paint hand colouring
SOLD
Monotype printed on 300g Hannemuhle etching paper
Hardground etching with aquatint printed on Hannemuhle 300 g etching paper
Monotype printed on 300g Hannemuhle etching paper
SOLD
A series of works about this beautiful but unforgiving coastline.
Hardground etching with aquatint
38 x 53.5 cm
Edition of 15
Drypoint etching on mylar printed on 300 g Hannemuhle etching paper
SOLD
Monotype with India ink and oil paint on Hannemuhle 300g etching paper
SOLD
Drypoint etching
SOLD
Hardground etching with aquatint
Three layer monotype. I return to this scene again and again in my work.
SOLD
Three layer monoprint of tidal pool swimmers
Four layer monoprint of Cape Point
SOLD
One of the best things about living in Cape Town is proximity to mountain trails and the unique fynbos flora, found nowhere else in the world.
Drypoint etching on mylar printed on Hannemuhle 300g etching paper 1/3
SOLD
The devastation of fire brings renewed growth and life to Protea bushes in the following season
Monotype on Hannemuhle 300g etching paper SOLD
Monotype of an aloe printed with India Ink
SOLD
The title of this image came from a line in Arthur Nortje's poem 'Your Absence'
Summer means
that days are long and in your absence searing.
Monotype with India Ink
SOLD
Monotype with India Ink
SOLD
Our family has a farm near the tiny town of Willowmore in the Great Karoo. The silence at night becomes a noise of it's own and the vast empty landscapes both calm and unsettle me. These images were all made in 2010 after a long trip to the farm.
Drypoint etching on mylar, printed on 300g Hannemuhle etching paper. SOLD
Drypoint etching on mylar with monotype, printed on Hannemuhle 300g etching paper
SOLD
Silkscreen image printed on archival museum board - SOLD
Monotype on 300g Hannemuhle etching paper
SOLD
Hardground etching with spitbite
Printed on 300g Hannemuhle etching paper
Edition of 5
Screenprint on acid free museum board
Monotype on Hannemuhle 300g etching paper
SOLD
Drypoint etching on mylar printed on Hannemhle 300g etching paper
Edition of 2
Monotype on Hannemuhle 300g etching paper
Drypoint etching on mylar with monotype
1/1
Hardground etching with aquatint printed on Hannemuhle 300g etching paper
30 x 21 cm
Edition of 10
Drypoint etching on mylar printed on Hannemuhle 300g etching paper 1/3
Monotype with acetone
Monotype
This series of work is based on some photographs of an African Zionist church worshiping at the tidal pools in Simonstown. I took the photo from a moving train window as all the congregants in their white robes raised their hands to wave at us.
Monotype with drypoint etching on PVC
SOLD
